The understanding and enjoyment of a work of art depends as much on the story it depicts as on the artist's execution of it. But what were once biblical or classical commonplaces are not so readily recognizable today. This book relates in a succinct and readable way the themes, sacred and secular, on which the repertoire of Western art is based. Combined here in a single volume are religious, classical, and historical themes, figures of moral allegory, and characters from romantic poetry that appeared throughout paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify the meanings of these themes for the reader.The definitive work by which others are compared, this volume has become an indispensable handbook for students and general appreciators alike. This wholly redesigned second edition includes a new insert of images chosen by the author, as well as a new preface and index to highlight the ideas, beliefs, and social and religious customs that form the background of much of this subject matter.

Gain a thorough understanding of how modern audits are conducted in today's computer-driven business environment with INFORMATION TECHNOLOGY AUDITING, 4E. You gain valuable insights into state-of-the-art auditing issues as this leading accounting text provides you with the background you need to succeed in today's business world. This edition focuses on the latest information technology aspects of auditing with up-to-date coverage of auditor responsibilities, emerging legislation, and today's fraud techniques and detection. Expanded end-of-chapter questions, problems, and cases give you important hands-on practice for success in your future career.

A companion volume to James Hall's perennial seller Dictionary of Subjects and Symbols in Art, which deals with the subject of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Hall explores the language of symbols in art, showing how paintings, dr

An exciting narrative and visual history of the artist's studio, examining the myth and reality of the creative space from early times to today. The artist's workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist's atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day. Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople - workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist's museum and the artist's house, as well plein air painting and the development of portable studios.

"A Companion volume to James Hall's perennial seller Dictionary of Subjects & Symbols in Art. which deals with the subject matter of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Flail explores the language of symbols in art showing how paintings, drawings and sculpture express man shades of meaning from simple, everyday hopes and fears to the profoundest philosophical and religious aspirations. The book explains and interprets symbols from many cultures, and over 600 illustrations clarify and complement the text. There are numbered references throughout the text to the sacred Iitcra-1 ture, myths and legends in which the symbols had their origins. Details of English translations of the works are in the bibliography. The book includes an appendix of the transcription of Chinese, notes and references, bibliography, chronological tables and index."

This important book presents the work of the fascinating and singular artist Luigi Pericle (1916–2001). Pericle was a painter, illustrator and scholar, as well as a leading figure in the story of art in the second half of the twentieth century. The artist initially found fame as an illustrator, gaining widespread renown in the 1950s as the inventor of the character Max the Marmot. But his intense, enigmatic and multi-layered paintings increasingly drew the attention of the art world, with works that reflect his personal, metaphysical take on post-war abstraction exhibited at numerous venues in Britain during the 1960s. Pericle then abruptly retreated from the art system, and for the rest of his life continued to paint, write and to study esoteric philosophy in the secluded house he shared with his wife Orsolina on Monte Verit  in the Ticino region of Switzerland. The artist’s work was dramatically rediscovered in 2016 when the contents of his former residence were revealed. The process of restoring, cataloguing and researching his vast oeuvre is ongoing, and is overseen by Ascona’s Archivio Luigi Pericle, with which the exhibition has been organised. This beautifully illustrated publication, which accompanies an exhibition at the Estorick Collection, London, includes a full catalogue of the works, as well as essays by noted scholars.

A chance encounter with an old flame sets reluctant investigator Thorn on a collision course with some of Florida's most ruthless killers in a heart-stopping story of modern-day piracy from the acclaimed author of Blackwater Sound, hailed by Dennis Lehane as 'the king of Florida noir'. Anne Joy first fled to the Sunshine State to escape a violent past. Now, years later, she slips back into bad company when she gets entangled with Daniel Salbone, a rising figure in the local mob whose men have been terrorising shipping lanes. When Thorn's old connection with Anne comes to light, he is desperate not to be dragged into dangerous waters. But the kidnapping of his best friend's daughter forces him to embark on a hunt that will take him from the deceptive lushness of the Florida Keys to a nightmare climax in one of the most remote and blood-chilling spots in the Caribbean.

"'Blackwater Sound' is his best yet. With beautiful prose and a heavily muscled story, it moves with the grandeur and unpredictability of a hooked marlin. Make that a killer marlin."
'Michael Connelly'

In the steamy shallows off the Florida coast, an airliner crashes, killing all aboard. Helping pull bodies from the water, reluctant investigator Thorn is drawn into a bizarre conspiracy. Someone has developed a jamming device of devastating potential. Now the prototype has gone missing and there are some desperate people who are determined to find it. Soon Thorn is caught up in a breathless pursuit that takes him from the Florida Keys to the big-game fishing grounds of the Bahamas, where the hunter can become the hunted…

"James Hall, the king of Florida noir, delivers across the board with 'Blackwater Sound'. Chock full of vivid characters, startlingly explosive moments and seamlessly elegiac prose"
'Dennis Lehane'

"A compelling novel about the merciless predators both in and above the waters of South Florida."
'Robert Crais'

The understanding and enjoyment of a work of art depends as much on the story it depicts as on the artist's execution of it. But what were once biblical or classical commonplaces are not so readily recognizable today. This book relates in a succinct and readable way the themes, sacred and secular, on which the repertoire of Western art is based.Here in a single volume are combined religious, classical, and historical themes, the figures of moral allegory, and characters from romantic poetry that established themselves through paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify the meanings of these themes for the reader. The definitive work by which others are compared, this volume has become an indispensable handbook for students and general art appreciators alike. This wholly redesigned second edition includes a new insert of images chosen by the author, as well as a new preface and index to highlight the ideas, beliefs, and social and religious customs that form the background of much of this subject matter.

Nathaniel Pearce (1779-1820) was, according to J. J. Halls, who edited and published his autobiographical writings in 1831, 'one of those remarkable and adventurous beings, whom Nature ... seems to take delight in creating'. Having run away to sea twice, deserted from the navy, accidentally killed a man, and briefly converted to Islam, he came into his own as a guide and factotum to British travellers in Egypt. He accompanied Henry Salt's 1805 mission to Abyssinia, where he married a local girl and served the ruler of Tigre until the latter's death in 1816. Pearce's humorous account of his life is particularly interesting in the details it gives of the land and people of Ethiopia, then little known by Europeans. Volume 1 begins the narrative of Pearce's life and his African travels and also contains an account of an expedition to the city of Gondar by his friend William Coffin.

Nathaniel Pearce (1779-1820) was, according to J. J. Halls, who edited and published his autobiographical writings in 1831, 'one of those remarkable and adventurous beings, whom Nature ... seems to take delight in creating'. Having run away to sea twice, deserted from the navy, accidentally killed a man, and briefly converted to Islam, he came into his own as a guide and factotum to British travellers in Egypt. He accompanied Henry Salt's 1805 mission to Abyssinia, where he married a local girl and served the ruler of Tigre until the latter's death in 1816. Pearce's humorous account of his life is particularly interesting in the details it gives of the land and people of Ethiopia, then little known by Europeans. In Volume 2, the situation in Abyssinia becomes dangerous and Pearce decides to escape down the Nile. The journal ends abruptly in 1819, a year before his death.

The traveller and antiquary Henry Salt (1780-1827) hoped to become a portrait painter, but recognised his own limitations, and instead entered the employment of Viscount Valentia, embarking with him on an eastern tour in 1802. In 1805, Valentia sent him on a mission to improve relations with the rulers of Abyssinia. After a second expedition, this time on behalf of the British government, in which he made observations and collections of the local flora and fauna, he was appointed consul-general to Egypt, and in his spare time carried out excavations at Thebes and Abu Simbel. This two-volume work was published in 1834 by Salt's close friend, the painter J. J. Halls (1776-1853). Volume 1 tells the story of Salt's early life and his career up to the famous removal of the colossal statue of Ramesses II ('Ozymandias') from Thebes to the British Museum in 1816.

The traveller and antiquary Henry Salt (1780-1827) hoped to become a portrait painter, but recognised his own limitations, and instead entered the employment of Viscount Valentia, embarking with him on an eastern tour in 1802. In 1805, Valentia sent him on a mission to improve relations with the rulers of Abyssinia. After a second expedition, this time on behalf of the British government, in which he made observations and collections of the local flora and fauna, he was appointed consul-general to Egypt, and in his spare time carried out excavations at Thebes and Abu Simbel. This two-volume work was published in 1834 by Salt's close friend, the painter J. J. Halls (1776-1853). Volume 2 describes Salt's later career in Egypt, as a diplomat and especially as a pioneering archaeologist, as well as his negotiations over the future of his own spectacular collection of Egyptian artefacts.

Gain a strong understanding of the accounting information systems and related technologies you'll use in your business career with Hall's leading ACCOUNTING INFORMATION SYSTEMS, 10E. You'll find a unique emphasis on ethics, fraud, and the modern manufacturing environment. This edition focuses on the needs and responsibilities of accounting system designers and auditors. Coverage discusses Sarbanes-Oxley as it affects internal controls and other relevant topics. Examine the risks and advantages of IT outsourcing including cloud computing. With thorough updates of the transaction cycle and business processes coverage, you also gain a solid understanding of the risks and internal control issues related to a range of accounting information system technologies employed by today's small and large business organizations.

"'Body Language' seduces you, then grabs you and never lets you go. This is a first-rate thriller by a master writer."

When Alexandra Rafferty was a girl, something unspeakably cruel happened to her on a summer afternoon. Only her father knew about it – or so she thought. Now a forensic photographer for the Miami PD, Alexandra remains haunted by that terrible day, and it all comes flooding back when she gets caught up in a gruesome series of murders that seem to speak to her long-hidden past. Soon her personal life spins out of control, sending Alexandra on the run – from her husband, from the crooks after him, from a surprisingly persistent boyfriend, and from a killer who's bent on making sure Alexandra won't live long enough to translate his message.

"Like top-drawer Elmore Leonard turned inside out – funnier, much more skewed, substantially more moving. Hall's psychopaths are so well drawn and amusing that it makes you giddy."
JAMES ELLROY

"Hall is the master of surprise…his writing runs as clear and fast as the Gulf Stream waters."
'New York Times Book Review'

"Rafferty is a fabulous addition to the ranks of law enforcement."
SUE GRAFTON

A story of murder and family rivalry set amid the 'format wars' of early recorded sound.

The third from The Bounty Trilogy, Pitcairn's Island chronicles the fate of Christian, the mutineers, and a handful of Tahitians, who together take refuge on the loneliest island in the Pacific.

Edited by Matthew L. Downs and M. Ryan Floyd, The American South and the Great War, 1914- 1924 investigates how American participation in World War I further strained the region's relationship with the federal government, how wartime hardships altered the South's traditional social structure, and how the war effort stressed and reshaped the southern economy. The volume contends that participation in World War I contributed greatly to the modernization of the South, initiating changes ultimately realized during World War II and the postwar era. Although the war had a tremendous impact on the region, few scholars have analyzed the topic in a comprehensive fashion, making this collection a much-needed addition to the study of American and southern history. These essays address a variety of subjects, including civil rights, economic growth and development, politics and foreign policy, women's history, gender history, and military history. Collectively, this volume highlights a time and an experience often overshadowed by later events, illustrating the importance of World War I in the emergence of a modern South.